Place it as the payoff at the end of a short gag, then follow it with Nelson's Ha-Ha! for a second reaction, or cut to Sad Violin when the joke falls flat and the scene needs a change.
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This is a short burst of human laughter, just over a second long, made of repeated open ha sounds in a quick, playful rhythm. It feels light and amused, like catching someone mid-laugh at a joke that landed well, and it brings an instant lift to a dull exchange without needing any words at all.