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Put it at the very end of an awkward-encounter edit, after Bruh sets up the disbelief and before Emotional Damage closes the scene, so the dismissal becomes the final beat and the reaction that follows sells it.
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This one-second clip is a single blunt spoken line telling someone to get out, delivered flat and without softening. It lands as funny because the dismissal is so direct, with a dry, awkward edge that makes the listener smile while the target gets the message. It works best as a quick, deadpan exit line rather than a shout.
