Place it as the interruption in the middle of a scene, then follow it immediately with the awkward crickets sound button to hold the reaction, or switch to a whip crack for a sharper cutaway before moving on.
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An eight-second voice clip centred on a blunt, shouted demand to pull over, delivered loud and direct with no build-up. It lands as funny and confrontational at once, the kind of over-the-top call-out that turns a normal moment into an exaggerated stop-right-there reaction.