Place it as the payoff after a quiet setup, then follow it with the DJ Airhorn for a bigger reaction, or lead into it with the Imperial March when a dramatic entrance needs a theme first.
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This is a 33-second bass-boosted version of the song called Wendy, with its low end pushed up so the beat and bassline dominate the mix. It feels loud, heavy and playful, like a familiar tune turned up until it rattles, and it works best as a sudden burst of energy rather than background listening.