Place it at the start of a sequence as the bed under the opening shots, then bring in a bell ding once the subject appears to mark the moment clearly. Keep it underneath dialogue and let the next scene take over once the subject is established.
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This is an eleven-second wind sound effect built from a continuous rush of moving air, with soft swells that rise and fall like a breeze crossing open ground. It feels calm and spacious, easing tension and giving a scene room to breathe, whether it sits behind a quiet moment or opens a wide outdoor shot.