Shrab Lwidan circulates online under its transliterated title, with no clear documented source work, character or original recording attached to the clip in the information available. That loose origin is typical of sounds passed between chats, reposted on soundboards and reused in short edits, where the phrase itself becomes the identifier. People recognise it by sound rather than by context, search for it by spelling the words as they hear them, and keep using it because the repetition works as a quick, funny reaction without needing explanation.