The recording is credited to sound designer Gregor Quendel and circulates as a short, clean field style effect rather than a clip from a film or show. Creators picked it up for edits needing believable frozen surface audio without dialogue or music over it. It is often paired with other sharp impact effects like a bone crack for exaggerated breaks, but on its own it stays popular for winter footage, ASMR style nature cuts and suspense scenes because the cracks feel unprocessed and immediate.