The recording is catalogued under the title Marimbondo, Bira e Oliveira and credited to BOPE, while the shorter name Voa is the label most listeners use when searching for it online. As a shared audio fragment, it has found a second life in short-form reaction edits, where the sequence of names functions as a recognisable cue for a chaotic or comic entrance. Its appeal does not depend on a backstory: the clip is short, the names are distinctive, and the rhythm makes it easy to drop into a video without explanation, which helps it keep circulating among meme editors.