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Place it in the middle of a short edit, after a setup clip and before the payoff, letting a goofy yell open the scene and a shocked reaction close it. Use it as the turning point between a slow build and a later reveal, with one clear sound on each side so the sequence reads as cause, bounce and consequence.
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This short clip strings together a series of odd, springy bounces that rise, wobble and drop again over about six and a half seconds, with each rebound sounding a little stranger than the last. It feels playful and slightly absurd, like a cartoon object that refuses to settle, and it lands best as a quick surprise that makes a plain moment feel suddenly silly.
