La Campanella began as the rondo finale of Niccolò Paganini's Violin Concerto No. 2, nicknamed for its little bell motif. Franz Liszt reworked that theme into the third of his Grandes études de Paganini, published in 1851, creating one of the most demanding piano studies ever written. Its nickname means little bell in Italian, after the high repeated notes that ring through the piece. Short excerpts now circulate widely in edits and memes, where the extreme difficulty has become shorthand for speed, precision and showing off.